Tegeler Audio Manufaktur Raumzeitmaschine Tube Reverb

Raumzeitmaschine Overview

Tube Reverb

The Raumzeitmaschine produces a spatial tone that sounds very natural, transparent, and clear on the one hand, while still having a pleasant sound on its own.
This is accomplished through a unique blend of digital and analog components. There is, of course, a CPU that computes the reverb. This is complemented by the unique analog sound of our gadgets.

Unique operational concept.

With only three settings, the Raumzeitmaschine provides the simplest way to get the ideal sound.
Instead of navigating hundreds of parameters (90 percent of whom are non-programmers who have no idea what they’re doing), you may now tailor the sound to the demands of your mix.

• An operational technique similar to that of a genuine musical instrument.
• Presets are simple
• We have omitted the difficult setting management on the device.
• If you recall how to preset the timer on a VCR, you’ll understand why.

The Raumzeitmaschine is fitted with servomotors and may therefore be controlled remotely by the DAW. In contrast, direct device modifications are instantly reflected in the Raumzeitmaschine plug-in.Use the preset management feature of your DAW or the Raumzeitmaschine plug-in.

It’s that simple!

Remote-controlled

Servomotors power all of the Raumzeitmaschine’s controls.
It may be controlled directly from the front panel, via the internal website, or through a DAW plug-in (AU, AAX, VST).
Because the Raumzeitmaschine connects to your computer via Ethernet, the cable length is not limited as it is with USB. It is also possible to connect wirelessly using your router.

The tubes?

Yes, tubes!

In addition to input and output transformers, the Raumzeitmaschine contains two double triodes per channel That is why there are only analog inputs and outputs, rather than digital ones. A key sound component would be missing without it.

• If you prefer a fatter tube, you may try overriding it from the input stage.
• Not only ‘natural’ sounds
• Although the idea was to provide a natural surround sound, it is also feasible to produce artificial noises.

A storage with a three-second decay time?

• Easy.
• That sounds weird.
• But we can improve the mix.
• Can be tested out in a single second.
•  Simple design.
•  Calculate digital reverberation.

How does it sound in comparison?

Unlike all the Lexi-TC-Event-Bri-Qs.

The Raumzeitmaschine will not replace a plate or reverb spring.
However, because of its distinct spatiality, it will undoubtedly become the primary reverb in your arrangement.

Listen to yourself and be captivated.